“Avant-Garde Now: Performing for the Camera” at M+
A recap of a one-day performance symposium in Hong Kong looking at the relationship between the body and technology.
Diriyah Art Futures: New Media Arts Residency Open Call
Groundbreaking Saudi New Media Arts institute invites established artists and scholars to apply for three-month residency.
Editors’ Picks from Booked Hong Kong
Highlights from the art book fair at Tai Kwun Contemporary.
Book Review: “Future Present: Contemporary Korean Art”
The diverse voices of “MZ” South Korean artists continue to contest traditional society.
New Online Course on Art and the Environment in Southeast Asia
The first part of the free course by National Gallery Singapore. Discover works by Nirmala Dutt, Tang Da Wu, and others. Enrol today!
Colomboscope 2024: Biennial as Import, Forest as Export
Exploring how Colomboscope in Sri Lanka resists colonial impacts, prioritizes local culture, and fosters a sustainable, empowering art ecosystem.
Diane Severin Nguyen: In Her Time (Iris’s Version)
When political agencies meet with personal freedom: An in-depth analysis of Nguyen’s 67-min feature-length film.
ArtAsiaPacific Issue 142 (Mar/Apr 2025)
- Yasumasa Morimura
- Maria Taniguchi
- Wing Po So
- Angelica Mesiti
- Dumb Type
Izumi Kato’s Virtual Shadow
A haunting sculpture accidentally birthed an online sensation, showing contemporary art’s power to enchant the digital masses.
Promptography: The Beginning of the End?
Does AI-generated imagery threaten real lens-based photography?
Fuzzy Criticism: Mario Klingemann's A.I.C.C.A. (Artificially Intelligent Critical Canine)
Failure of the pooping-AI-dog-critic.
Re-sequencing: Practice 005
Patterns, patterns, patterns
Walking into the Production Studio of Su Hui Yu’s “The Trio Hall”
New enlightenment brought by pop culture from 1970s Taiwan.
Re-sequencing: Practice 004
Any one of us can be an idiot.
