Abbas Akhavan: “curtain call, variations on a folly”
An excavation of the ways structures are constructed in the global imaginary.
Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection
A sampling of global art practices during the 1960s and
58th Venice Biennale Part 6: Exhibitions Around Venice
Six exhibitions from around Venice featuring artists from Asia.
Behjat Sadr’s “Dusted Waters”
Exploring Behjat Sadr’s incessant relocation from Italy, Tehran and Paris.
Nargess Hashemi’s “I Will Build a Tall City Interconnected by Cul-de-sacs”
Utopia is a place of interconnection, with the lines between public and private realms blurred and fluid.
Golnaz Fathi “A Long Line Without a Word”
Freedom is attained through discipline. Only rarely does the artist permit a spontaneous line to leap free.
Kamrooz Aram’s “Focus”
Minimal yet expressive, decorative and conceptual.
“Sensation” at CAMA Gallery
An inaugural exhibition of 51 works by a variety of artists from Iran.
