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Editor's Letter
Editor’s Letter: Horizon Bound
By Elaine W. Ng
Reports
Big Story: An Engulfing Calamity
By The Editors
Public Domain: Grand Designs
By The Editors
Controversy: Shrinking Spaces
By The Editors
Looking Ahead: Growth Potential
By The Editors
Obituaries: Celebrated Lives
By The Editors
Art Fair Report: New Marketing Strategies
By The Editors
Career Moves: Stepping Up
By The Editors
Infrastructure: Mergers and Refurbs
By The Editors
Awards: Kudos Plus Cash
By The Editors
Auction Report: Stable Homes, Falling Prices
By The Editors
Profiles
Artists of 2024: Manal AlDowayan
By Anna Lentchner
One to Watch: Steph Huang
By Annette Meier
Artists of 2024: Yuko Mohri
By Oliver Clasper
Artists of 2024: Archie Moore
By Oliver Clasper
Artists of 2024: Trương Công Tùng
By Louis Lu
Artists of 2024: Do Ho Suh
By Anna Lentchner
Features
Taipei: Shifting Ground
By CHRISTOPHER WHITFIELD
Tokyo: Questions of Healing: Interview with Ei Arakawa-Nash
By Elaine W. Ng
Lahore and Karachi: Biennales and Beyond
By Quddus Mirza
Singapore: Progress, Pitfalls, and Possibilities
By Yvonne Wang
Ho Chi Minh City: From the Ground Up: Interview with Art Labor’s Arlette Quỳnh-Anh Trần
By Annette Meier
Kuala Lumpur: Yielding Cooperative Returns
By Beverly Yong & Rachel Ng
Inside Burger Collection: Julia Phillips
By Harry C.H. Choi
Istanbul: The Center Cannot Hold
By Matt A. Hanson
Beijing: Stepping out of the Shadows: Interview with Xiyadie
By Louis Lu
Hong Kong: Performing Life: Interview with Florence Lam
By HG Masters
Manila: Weather Report: Art Against Time
By Sam Del Castillo
London: Collectivity and Solidarity
By Chelsea Pettitt
Los Angeles: Where the Sun Always Shines
By Jennifer S. Li
Ulaanbaatar: The Space Between Worlds: Interview with Anunaran Jargalsaikhan
By Annabel Preston
Seoul: Everyone Wants A Slice
By Valentina Buzzi
Auckland: The Need for Roots: Interview with Brett Graham
By Annabel Preston
Reviews
Festivals of 2024: Busan Biennale
By The Editors
Festivals of 2024: 24th Biennale of Sydney
By The Editors
Festivals of 2024: 8th Yokohama Triennale
By The Editors
Exhibitions of 2024: Theaster Gates’s “Afro-Mingei”
By The Editors
Festivals of 2024: 2024 Asian Art Biennial
By The Editors
Exhibitions of 2024: Walid Raad’s “Another Festival of (In)gratitude”
By The Editors
Exhibitions of 2024: Lala Rukh’s “In the Round”
By The Editors
Exhibitions of 2024: Kim Lim’s “The Space Between. A Retrospective”
By The Editors
Exhibitions of 2024: Wong Ping’s “anus whisper”
By The Editors
Exhibitions of 2024: Amanda Ba’s “Developing Desire”
By The Editors
Exhibitions of 2024: David Medalla’s “In Conversation with the Cosmos”
By The Editors
Festivals of 2024: Bangkok Art Biennale
By The Editors
Exhibitions of 2024: Nicholas Mangan’s “A World Undone”
By The Editors
Festivals of 2024: The 11th Asia Pacific Triennial of Contemporary Art
By The Editors
Exhibitions of 2024: Ayoung Kim’s “Delivery Dancer’s Arc: Inverse”
By The Editors
Exhibitions of 2024: “Art Spectrum: Dream Screen”
By The Editors
Exhibitions of 2024: Wu Tsang’s “La gran mentira de la muerte”
By The Editors
Festivals of 2024: 60th Venice Biennale
By HG Masters
Festivals of 2024: Gwangju Biennale
By The Editors
Exhibitions of 2024: “The Imaginary Institution of India: Art 1975–1998”
By The Editors
Exhibitions of 2024: Yin Xiuzhen’s “Piercing the Sky”
By The Editors
Exhibitions of 2024: An-My Lê’s “Between Two Rivers”
By The Editors
Exhibitions of 2024: William Kentridge
By The Editors
Exhibitions of 2024: Mandy El-Sayegh’s “A rose is a rose is a rose is a rose”
By The Editor
Festivals of 2024: Diriyah Contemporary Art Biennale 2024
By The Editors
The Back
2025 Major Fairs and Festivals
By The Editors
Up Next: 2025
By The Editors