• Issue
  • Mar 25, 2022

Shanghai: The Rush to Normalcy

HSU CHE-YU, The Unusual Death of a Mallard, 2020, still from video: 16

My only trip outside of China in 2020 was a visit to Singapore for the Art Week. As the Rockbund Art Museum had temporarily closed for a planned renovation, I was looking to spend time delving more deeply into research-orientated projects in mainland China and Asia. In a normal year, our work is focused primarily on exhibitions, so my hope was to shift to another rhythm of working and to maintain dialogues with artists in the region.