The Deadly Absurdity of Borders: Lawrence Abu Hamdan’s “45th Parallel”
A film about borders at Spike Island.
A film about borders at Spike Island.
“The Body is a Place” at Arnolfini.
An overdue introduction to his playful, visceral, and magnanimous approach to art-making and life.
Ink and color morph into undecipherable life forms that belong to this femme ecosystem.
The avant-fashion collective appear untouchably at ease.
Critically assessing the extraction, transmission, and reception of information in the age of big data.
Uncovering artworks by sidelined African, Asian and Middle Eastern artists.
Considering the interface of live action and the multiple realities of the screen.
Was it a chance to gain a rare glimpse into the day-to-day realities of a closed country?